Friday, December 7, 2012

"Graphis" Magazine

Here is a copy of my History of Graphic Design "Graphis" magazine essay:


“Graphis” Magazine
            Magazines serve a larger purpose than to just entertain people. “Graphis” is a magazine that was first published in 1944 by Dr. Walter Amstutz and Walter Herdeg in Zurich, Switzerland. It presents the work of fine artists and illustrators and highlights the formative years of graphic design to present day. This magazine has published hundred of articles and books but was discontinued after its 355th edition. “Graphis” is a widely known magazine with stable, eye pleasing editorial content, contains a relevance of design to students interested in the subject, and presents an appealing art direction to its viewers.
            Sometimes other design magazines are filled with words or a limited range of ideas in its content. “Graphis”, however, is unlike those other magazines. Inside its cover page, the images range from: furniture, animals, design, advertising, photography, annual reports, poster, logos, branding, and new uprising talents. Although there are many parts to it, this particular magazine, especially on its website, mainly focuses on photography and art. Its images are large, clear and take up the whole page, making the viewers instantly drawn into the magazine. Its layout consists of little to no words, making the designers work the main focus. “Graphis” also displays works for brand names like Nike (see printed image) and many others. Aside from its stunning images, the magazines editorial content itself is fairly simple.
            Students who strive to become a designer often look to this magazine. Previous editions are available, but it also has an up-to-date website with information for use. Students can easily look to this magazine for inspiration and ideas about how their designs can be displayed in the future. There are also many brochures, books, and portfolios available as well on its website since there are few words on the magazines printed pages. Each one of these aspects of this magazine can easily help someone aspires to be a graphic designer in their future encounters.
            “Graphis” takes on a specific art direction of visual imagery. Each and every page is fully filled with usually one image or several. Since the viewers of this magazine mostly refer to it for its visual content, it does not have many words. Bold and striking colors capture peoples eyes and draw them in, but in a pleasing way. Usually too many colors can distract a viewer, but in “Graphis”, soft background colors are used to offset the contrast. This makes it more intriguing to viewers and therefore more successful in its area. The designs and images displayed are many designers like Amil Gargano, Josef Muller-Brockman, Peter Kraemer, and Albert Watson. There is a wide range of what styles are displayed, but each has its own unique look and feel to it that viewers seem to love.
            There are similar magazines in the world that compare to “Graphis”. One of them is “Baseline” magazine. “Baseline”, unlike “Graphis”, fills its pages with a few small images and mostly words describing the works displayed. Both use bold colors decorating their pages, but “Baseline” seems to focus more on geometric shapes and designs while “Graphis” is more on photography and life images. Magazines that have more words filling its pages are usually not as interesting as ones with mostly images. Its like children with books; would they rather look at the pretty picture or read hundreds of words describing what they could be looking at with their own eye.
            “Graphis” is an aesthetically pleasing published magazine. Although it is no longer printed, it keeps up its success through its website. Its wide range of images and designs keep viewer interested in its content and keep its online business alive and successful. Viewers can easily be inspired by its design layout, advertising techniques, and stunning images by talented designers. Books from this magazine are for sale to help designers along their way, and people can still access older editions as well. It shows how works of art should be displayed; taking up the full page and letting the images speak louder than the words describing it. 

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